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Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens for Sony Alpha Digital SLR Camera


A compact zoom lens that brings you closer to action and portrait subjects. The compact, lightweight SAL-75300 4X zoom lens is a great value and an ideal choice for covering outdoor activities and sports action, even in large stadium locations. Its wide zoom range of 112.5mm to 450mm (35mm equivalent) handles both middle-ground subjects and portraits shot from a relaxing distance, so people won't be nervous. This lens even captures intimate details and natural wonders close at hand.

FEATURES:
Compact Lightweight Design - Gives you a super telephoto lens you can shoot with comfortably all day. Long 4x Zoom Capability - One lens takes you from close-ups, to portraits, to super telephoto zooms -- covering a 35mm-equivalent range from 112.5mm to 450mm. Close Shooting - You can capture wildlife, faces and architectural details about as close as five feet to the camera. DSLR and 35mm Performance - Designed for superior performance with both DSLR APS-size CCD sensors and 35mm format cameras. Circular Aperture - Gives light sources a pleasing circular defocused effect in backgrounds. SUPPLIED ACCESSORIES:
Front and rear lens cap SH0007 solid-circular lens hood


Tokina AT-X 116 Pro DX AF 11-16mm f/2.8 Lens For Nikon


The Tokina AT-X 116 PRO DX AF 11-16mm f/2.8 Lens provides an ultra-wide angle and a fast aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag.

Based on the outstanding optical design of the AT-X 124 PRO DX (12-24mm f/4) lens, the AT-X 116 PRO DX has a slightly shorter zoom range to maintain optical quality at wide apertures.


Tokina AT-X Pro DX 11-16mm F/2.8 Asph. For Sony/ Minolta

The new Tokina AT-X 116 PRO DX is an ultra-wide angle lens with a fast f/2.8 aperture for better photography in low-light situations. Many photojournalists consider having an f/2.8 aperture a must for any lens in their camera bag. Based on the award-winning optical design of the AT-X 124 PRO DX (12-24mm f/4) lens, the new AT-X 116 PRO DX has a slightly shorter zoom range to maintain optical quality at wide apertures. Tokina's exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no need to change the AF-MF switch on Nikon cameras** and there is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring. Please Note The lens is designed for Digital cameras with APS-C sized CMOS and CCD sensors, not designed for cameras with Full Frame sensors.


Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Canon Digital SLR Cameras

Tamron AF 28-300mm f/3.5-6.3 XR Di LD Aspherical (IF) Macro Ultra Zoom Lens for Canon Digital SLR Cameras


Opteka .35x HD² Super Wide Angle Panoramic Macro Fisheye Lens for Sony Alpha A100, A200, A230, A290, A330, A350, A380, A390, A500, A33, A55, A550, A700, A850, A900

The new Opteka High Definition² .35x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots! Nothing changes the way you see the world like High Definition² and no company does High Definition² like Opteka. Opteka's glass optics define High Definition. Change the way you view the world. Enjoy outstanding detail, enjoy enhanced clarity, enjoy Opteka!


Tamron AF 10-24mm f/3.5-4.5 SP Di II LD Aspherical (IF) Lens for Canon Digital SLR Cameras

The ultimate extended-range, ultra-wide-angle zoom lens! Wider and longer than others in its class, this compact, lightweight, high-performance lens for DSLRs with APS-C size sensors provides 35mm equivalent coverage from 16mm ultra-wide to 37mm semiwide, a remarkable 2.4X zoom ratio. With a maximum coverage of over 108°, this state-of-the-art classic is the perfect solution for expanding your visual horizons.

Zoom in close at the 1:1 macro view
This ultra wide-angle zoom lens for digital SLR cameras, with the first-ever focal length range of 10-24mm-the 35mm equivalent of 16mm ultra wide-angle to 37mm semi-wide-angle-is a perfect tool for creating dramatic landscape, cityscape,a nd seascape imagery. At the ultra wide-angle setting, you'll be able to capture vistas beyond what the eye can see. At the semi-wide-angle setting, you'll capture scenes with angles of view almost as spectacular.

SP AF10-24mm F/3.5-4.5 Di II Features

Di II
Portrait macro shot Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm.

Super Performance (SP) for Discriminating Shooters
Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.

Internal Focus (IF)
Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron's Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.

Low Dispersion (LD) Glass for Greater Lens Sharpness Low Dispersion (LD)
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)

Aspherical Elements (ASL) Provide the Ultimate in Image Quality and Compactness)
Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.

Achieve the ultimate in image quality with Asperical (ASL) lenses

Tamron AF 70-200mm f/2.8 Di LD IF Macro Lens with Built in Motor for Nikon Digital SLR Cameras

Tamron AF 70-200mm f/2.8 Di LD IF Macro Lens with Built in Motor for Nikon Digital SLR Cameras


Hoya 77mm HMC UV Digital Slim Frame Multi-Coated Glass Filter

The Hoya HMC Ultraviolet UV Filter is a multi-purpose, fine-weather filter that is designed to optimize the photography experience of the digital SLR user. UV filters, which absorb ultraviolet rays that often make outdoor photographs hazy and indistinct, should be constantly fitted to a lens to provide improved clarity and color balance, as well as to provide protection to your lens. Hoya Digital HMC filters are optimized for use with digital SLR cameras, but they are also perfect for traditional 35mm SLR applications, including black and white photography.

Using Hoya Digital HMC UV Filters:
Hoya's Digital HMC UV Filters absorb the ultraviolet rays which often makes outdoor photographs hazy and indistinct. It is also a muliti-purpose fine-weather filter for color as well as black and white films, and serves as a permanent lens protector. Your natural light pictures will be sharper, crisper and better balanced than ever before!

Opteka 0.43x HD² Full Fisheye Lens for Sony Handycam DCR-SX45, SX45/S, SX65, SX65/B, SX85, SX85/S, SR11, XR100, XR200V, XR500V, XR520V, CX130, CX160, CX160/B, CX550V, CX560V, CX560V, CX700V, HC9, XR550V, HVR-A1U, HD1000U and HXR-MC50U Camcorder

An essential tool for extreme sports and dramatic action shooters. The 0.43x Super Fisheye Adapter offers an extreme fisheye effect and a high degree of barrel distortion. It exaggerates depth by pulling nearby objects closer and causing distant objects to recede into the background. Advances in high-index / low-dispersion optical glasses, new barrel materials, and exotic anti-reflection coatings, along with the latest in computer-aided-design / computer-aided-manufacturing, are combined to produce lenses of unprecedented quality. Diamond-cut from crystal-clear, water-white optical glass, Opteka lenses are ground and polished to a precise precision. Because all Opteka lenses are designed and manufactured with the highest possible degree of consistency, you can swap lenses mid-shoot with no discernable variation in color or effect. The unprecedented purity, color saturation and repeatability of Opteka lenses virtually eliminate the need for lab color timing corrections caused by other lenses. This puts more creative control where it belongs - in your hands. Opteka lenses stand up to the most rigorous demands on the stage and on location. Opteka's hard anti-reflective (AR) coating offers protection specially formulated to resist flaking, peeling and scratching. This proprietary AR coating also reduces light loss and flare to less than 1% per surface, compared to untreated glass which has a light loss of 4% per surface. Opteka lenses allow you to shoot with total confidence!