![JVC High Performance 120 SX 6 hours [EP mode] Recordable VHS Tape](http://ecx.images-amazon.com/images/I/41kbv4OsuLL._SL75_.jpg)
JVC High Performance 120 SX 6 hours [EP mode] Recordable VHS TapeThese are T120-SX High Performance tapes. The SX120 tapes will give you 120 minutes (2 hours) on SP and 360 minutes (6 hours) in EP.
![Big [VHS]](http://ecx.images-amazon.com/images/I/2149X367JFL._SL75_.jpg)
Big [VHS]A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh
![The Truth About Jane [VHS]](http://ecx.images-amazon.com/images/I/41GJZQ3M53L._SL75_.jpg)
The Truth About Jane [VHS]
JVC DRMV77S Tunerless DVD Video Recorder & VHSDVD/VHS Combo Recorder with Up-Conversion - Silver
Quality Swann SW244-BVD DIY B&W Video Door Phone
The Music Man (Special Edition)The Music Man was one of the last great movie musicals from any studio, and it proved to be that rarest of events: a Broadway show that was measurably improved by its transition to the screen. Robert Preston made his musical debut--both live and on film--as "Professor" Harold Hill, the upbeat charlatan who promises to teach a small-town boys band by the "think system." But it's the part Preston was born to play and the one for which he will always be best remembered. Composer Meredith Willson based The Music Man on his own small-town Midwestern boyhood, circa 1912, a quasi-mythical place where the old-maid librarian looks and sings like Shirley Jones. The boy himself is an adorable Ron Howard, lisp-singing "Gary, Indiana." Willson's entire score, featuring a combination of what are now standards, such as "Goodnight My Someone" and "Till There Was You" and show-specific numbers ("Trouble," "76 Trombones"), is never less than infectious. This dazzling special edition is also as bright and sunny as any 4th of July in Iowa could ever hope to be. --Robert Windeler
LondonLondon, a film written and directed by Hunter Richards, warns against the allure of cocaine as protagonist Sid (Chris Evans), loses his girlfriend, London, and also loses his mind from drug use. Set mostly in a bathroom at London's going away party, the film features Sid doing coke with various model-type chicks, while mustering up courage to go downstairs and make peace with his ex-girlfriend. London (Jessica Biel) instigates their breakup after sleeping around and failing to help Sid's depression, culminating in his suicide attempt. Sid's angst builds in the bathroom, as he gets higher, creating a tortured scenario reminiscent of Who's Afraid of Virginia Woolf. Finally, Sid faces London and starts a chaotic brawl. A side-plot involves Bateman (Jason Stathham), the coke dealer devoted to counseling Sid. Bateman soothes Sid's pain by describing the real frustration of impotency, manifesting itself in a love for S&M clubs. With such a simplistic plot, London is as devoid of logic as the lifestyle it glamorizes, making its pointlessness ingeniously vapid. Sid's quest for sanity is difficult to empathize with, since he's an egotistical, drug-addled loser. Sid repeatedly questions the existence of God between scenes of his failed relationship with London, obviously linking his heartbreak and his loss of faith. At its worst, London portrays a shallow, juvenile couple's inability to resolve personal issues. At best, London cleverly pits cocaine's sex appeal against the doomed fates of those who fall prey to it.--Trinie Dalton
Elie Wiesel in Concert "Memories and Melodies of My Childhood"On December 18, 2010 Elie Wiesel sang live at the 92Y. This once in a lifetime (literally) event was recorded and this DVD is the product of that recording.
The reasoning behind the event was behind this performance is perhaps best described by producer John Heyman, who said: "I do not come from a religious background. Although I did have a bar mitzvah and we always fasted on Yom Kipper, we were not observant. We had left Germany to settle in London in 1933, and I remember many mornings when I left home for school with my mother crying because she had just heard of another relative lost in Hitler's slaughter of the Jews. 176 members of my family disappeared.
By time I met Nizza, my soon-to-be wife, I had become totally assimilated. She brought me back to my roots and made me realize how terribly important my Judaism was. She also introduced me to Marion and Elie Wiesel. I first heard Elie sing at my wedding, at which he officiated, and subsequently at many High Holidays over the years. As we shared Seders I was invariably moved; his songs and the way he sang them brought out my feelings of Jewishness. It struck me, then, that this was an experience I wanted to record for the benefit of our children and grandchildren. I asked Phil Ramone for advice and help, and we decided to make a permanent record of the songs from Elie's childhood, so that the entire world could share the joy that I feel every time I hear Elie sing."
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